A cinematic look that turns raw footage into a visual experience. Professional software, custom LUTs, natural skin tones, and consistency across cameras.
Color grading is the stage that separates an "okay" video from one that looks professional. It is not about a filter; it is about atmosphere, emotion, and visual coherence across the whole piece.
We work with professional color grading software on LOG footage (any camera profile: S-Log, V-Log, D-Log, BRAW, R3D, etc.) using a professional workflow: node structure, primary + secondary grade, skin tone isolation, and shot matching across different cameras.
We build custom brand LUTs for you: a set of consistent looks you can reuse on all your future productions, so your content carries a recognizable visual identity.
A color pipeline with custom LUTs, skin tone isolation, and cross-camera consistency.
The stages of every color grading project.
White balance, lift/gamma/gain, saturation. Conversion from LOG into a standard color space (Rec.709 or Rec.2020).
Consistency across different cameras (A-cam, B-cam, drone, smartphone). Every shot looks like it came from the same system.
Isolation with qualifiers and tracking, plus skin correction for a natural result. Skin stays warm and flattering whatever the grade.
Creative grade: teal&orange, warm summer, moody night, desaturated commercial. Aligned with your tone and your brand.
Frame-by-frame blemish removal, denoise, grain emulation, and a subtle vignette: the final polish for a cinematic feel.
We deliver .cube LUTs you can apply to your own productions in the future. Long-term visual consistency.
From LOG footage to the final color-graded master.
You send us 3-5 reference frames (stills or clips) that capture the look you want. We define the creative direction together.
We receive the XML/EDL from the edit, conform it against the original LOG footage, set up the node structure, and add an ACES workflow where needed.
LOG normalization, white balance, exposure, and shot matching across every shot. Footage standardized for the creative grade.
We apply the cinematic look based on your references. Secondary grades on skin, sky, and local details. A preview is delivered for feedback.
Render in ProRes 422 HQ / DNxHR 444, SDR + HDR versions on request, and the .cube LUT attached for reference.
Live grading sessions through an online review platform with real-time sync. You watch as it happens and give feedback on a specific frame.
Color grading is usually priced per minute of finished footage (after the edit). The cost depends on the complexity of the material, the number of shots, and the level of polish you want. We prepare a personalized quote after the briefing.
Send us 30 seconds of your footage and we'll deliver a before/after with a proposed look. No cost, no obligation.